COMING SOON…

“Save Yourself”
[documentary]

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    Birds of the Capitol

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    Before Our Bodies

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    Self-Portrait in B-Flat

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    Monument Man

Creating meaningful and transformative work and sharing wisdom gained in the creative process to help and inspire others. Hell, yeah. I’d sign up for a life like that (even if it took me decades to figure out this was where I was trying to get to). (Still trying to get to.)

The how of it is primarily through fiction and poetry (though I recently completed a memoir). I’ve been published in Narrative Magazine, Kenyon Review, Mississippi Review, Front Porch Journal, Fringe Magazine, Frontier Poetry, Willow Springs, and Briar Cliff Review, among others.

I was a finalist for the 2025 Frontier Poetry OPEN for my prose poem, “Made in America.” Another prose poem, “12 Steps of a Tradeshow Junkie,” earned first place in a contest judged by Joyce Carol Oates. Oates and Robert Nazarine (editor and publisher of MARGIE, where the poem was first published) later nominated the poem for a Pushcart Prize.

I create and collaborate on various word — and sometimes visual and musical — projects. Please check out my current or past projects.

Horse Walks Into a Bar

[this 750-word flash fiction story was published in Narrative Magazine]

I got this job where I sell snow cones from a cart in a petting zoo. Parents ask if their children can take pictures with me. I neigh and nod my big horse head. After my shifts, I go into the bar, still in my getup, as this horse, and the bartender says, “Why the long face?”

“Ha, ha,” I say, and nod at him to pour me a drink.

On one of these nights after work, a cowboy walks into the bar, saddles up next to me, and says he’ll have whatever the horse is having. At first I don’t realize he’s talking about me. I sometimes forget I’m a horse. I’m a horse, yes, but I’m also a man dressed as a horse.

I get up for the restroom and to put my name in for the karaoke, and when I return to my seat, the cowboy begins telling me about his life. He sold Amway in the eighties and did pretty well, even though he got no respect. But he was able to buy a ranch. “It’s a real magical place,” he says to me. “Sitting up against the far mountains.”

“Which far mountains?” I say to the cowboy.

“Whoa, now, horsey,” he says to me, “not so fast. That’s on a need-to-know basis.”

I’m thinking, Whatever. I’ve seen your type everywhere. I could just as easily buck you off the stage and send you crashing into the orchestra pit. I’m motioning at the bartender for the bill in an effort to get home and out of this bodysuit when the cowboy says he could take me there.

“To your magical ranch sitting up against the far mountains?”

He nods, not realizing I’m being sarcastic.

I nicker at him to get lost, but this only seems to turn him on. He leans over, grabs hold of my mane, and says he wants to ride me. He says he knew it from the first moment he saw me.

I pretend this last part didn’t happen. Like when the kids at the zoo poke me in the groin of my costume to see what I’m packing back there, I pretend like it never happened. But he leans over again. “Horsey,” he says to me. “I really, really want to ride you.”

I’m not sure what it is, but there’s something about that really, really that makes me feel sorry for him. “But cowboy,” I say to him, “I’ve never been ridden.”

“Is that so?” he says.

“Yep, that’s so.”

“Then we’ve found our match,” he says and smiles. “Because I’m a bronc buster.”

“Meaning what?”

“Meaning I must break you. Giddyup. Hear what I’m saying?”

Maybe because I basically hate my life and have nothing better to do than go home and fall asleep on the couch in front of the television after eating two chicken pot pies (although, honestly, on some nights, it’s more like three), I let the cowboy pay our tab and lead me out to his truck. I begin to crawl into the cab when he says, “I’m afraid that’s not how this is going to work, horsey.” He nods toward the horse trailer in back.

It strikes me then that I must be drunker than I am to allow him to rope me up in the trailer next to a donkey. The cowboy introduces me to Old Jack—apparently a real stubborn bastard, or so he says—as he slips a bridle over my head and fixes leather blinkers over my eyes.

“What’s all this for?” I say.

“Just a precautionary measure,” he says.

On the ride to the ranch, I ask the donkey what he did before this job. He’s chewing something in the dark. I can hear the grinding of his teeth as the trailer rocks over the bumps in the road when the cowboy turns off the highway. I try once more with the small talk. “Is it really magical?” I say. “This ranch sitting up against the far mountains?” The donkey stamps his foot—a tennis shoe of some sort—against the trailer floor, meaning I guess he doesn’t wish to talk about it, or about this magical place he has nothing to say.